Metaphor: hamster wheel

The eternal squeaking wheel
Dean Starkman’s The Hamster Wheel, in the Columbia Journalism Review

Without getting into whether newspapers are worse or better than before—let’s concede they’re fabulous; that’s why everyone loves them so much—we should pause for a second and think about the implications of the do-more-with-less meme that is sweeping the news business. I call it the Hamster Wheel.

The Hamster Wheel isn’t speed; it’s motion for motion’s sake. The Hamster Wheel is volume without thought. It is news panic, a lack of discipline, an inability to say no. It is copy produced to meet arbitrary productivity metrics (Bloomberg!). It is “Sheriff plans no car purchases in 2011,” (Kokomo Tribune, 7/5/10). It is “Ben Marter’s Home-Cooked Weekend,” (Politico, 6/28/10): “Saturday morning, he took some of the leftover broccoli, onions, and mushrooms, added jalapenos, and made omeletes for a zingy breakfast.” Ben Marter is communications director for a congresswoman. It’s live-blogging the opening ceremonies, matching stories that don’t matter, and fifty-five seconds of video of a movie theater screen being built: “Wallingford cinema adding 3 screens (video),” (New Haven Register, 6/1/10). But it’s more than just mindless volume. It’s a recalibration of the news calculus. Of the factors that affect the reporting of news, an underappreciated one is the risk/reward calculation that all professional reporters make when confronted with a story idea: How much time versus how much impact? This informal vetting system is surprisingly ruthless and ultimately efficient for one and all. The more time invested, the bigger the risk, but also the greater potential glory for the reporter, and the greater value to the public (can’t forget them!). Do you fly to Chicago to talk to that guy about that thing? Do you read that bankruptcy examiner’s report? Or do you do three things that are easier?

Metaphors: TBD.com special

A supermarket for news
Robert Allbritton, quoted in Paul Farhi’s TBD.com making its move into the crowded market of local news, from The Washington Post

Right now, [getting local news on the Web] is like trying to buy groceries in the old country. First you went to the fishmonger, then to the baker, then the grocer and so on. And it worked until someone said, “Why don’t we create a supermarket and put it all together in one place?”

News judo
David Rothman’s TBD’s hyperlocal judo is smart and ethical: How should rivals at the Washington Post and elsewhere respond to all the linking ahead?

In judo, you can use a big guy’s weight against him, and the same applies in busi­ness, especially the news kind.

Reading the Washing ton Post story on the TBD local news startup — which will compete against the Post, AOL’s Patch local net work and the Washington Examiner — I couldn’t help but think “judo.”

Besides, in the end, the Post story today will have been just a sideshow despite its current benefits to TBD. The real judo will happen by way of a principle espoused by Jeff Jarvis, the media guru of BuzzMachine fame—in essence, Do what you do best and link to the rest. TBD’s own news staff is tiny, with just a dozen or so actual reporters and a small band of editors. So, to try to compensate, TBD will be regularly linking not just to the Post but also to the Examiner and Patch, which has drawn more than a few dollops of money from America Online.

Tom Sawyer as newsboy
Mark Potts’ Why TBD is Important

As it develops, I think TBD is going to prove a model for other local efforts around the country. It understands something very fundamental, something that once upon a time, a group of us referred to it as the Tom Sawyer strategy: when you’re working with limited resources, use them to the maximum–and turn to the rest of the Web for help with filling in the blanks.

A Coal-mine canary for news
Jack Mirkinson’s TBD.com: A First Day Look, from the Huffington Post

Why is so much attention being paid to a local news site? Well, TBD is something of a canary in the coal mine. The news industry is desperately searching around for new journalistic and business models, and local news has been seized upon as a potential savior. Local, so the thinking goes, is where the money’s at — where you can offer people something they can’t get anywhere else. This explains the rise in so-called “hyperlocal” coverage, which hones in with intensive zeal on the day-to-day happenings in neighborhoods and regions.

Metaphors: a farting dog and a wandering prophet

A farting killer dog
Adrian Monck’s Can apps save news journalism?

[W]here does the rise of the app leave the news business, the flatulent Rottweiler in the dog shelter of online content? Can apps give it a caring home at last?

Moses wandering the wilderness
David Cohn’s Generations in the Desert – Thoughts from Aspen

I’ve said before that professional journalists, in one interpretation, can be thought of as a diaspora. Their “home land” in newspapers has been compromised. If there is a promised-land for media, considering generational theory, it might be that this transition we are in will last much longer. I joked that unless I live to be as old as Moses (120) I won’t live to see the dawning of this new digital age. I am doomed to be part of that cusp generation that must wander in the desert with the elders who remember something long passed and can’t settle into something new. Meanwhile acting as a steward and trying to head north to a new land with a younger generation to take over for me.

via Steve Buttry

Metaphors: supermarket and farmers’ market

Robert Allbritton, quoted in Paul Farhi’s TBD.com making its move into the crowded market of local news in the Washington Post

“Right now, [getting local news on the Web] is like trying to buy groceries in the old country. First you went to the fishmonger, then to the baker, then the grocer and so on. And it worked until someone said, ‘Why don’t we create a supermarket and put it all together in one place?’ “

John Hawbak, on Twitter

By focusing on partnerships with local producers, TBD sounds more like a farmers market than a supermarket.

via Steve Buttry

Metaphors: maggot-infested meat, everything but the kitchen sink

Steak and maggots
Gene Weingarten’s Gene Weingarten column mentions Lady Gaga.

Call me a grumpy old codger, but I liked the old way better. For one thing, I used to have at least a rudimentary idea of how a newspaper got produced: On deadline, drunks with cigars wrote stories that were edited by constipated but knowledgeable people, then printed on paper by enormous machines operated by people with stupid hats and dirty faces.

Everything is different today, and it’s much more confusing. For one thing, there are no real deadlines anymore, because stories are constantly being updated for the Web. All stories are due now, and most of the constipated people are gone, replaced by multiplatform idea triage specialists. In this hectic environment, mistakes are more likely to be made, meaning that a story might identify Uzbekistan as “a subspecies of goat.”

Fortunately, this new system enjoys the services of tens of thousands of fact-checking “citizen journalists” who write “comments.” They will read the Uzbekistan story and instantly alert everyone that BARACK OBAMA IS A LIEING PIECE OF CRAP.

I basically like “comments,” though they can seem a little jarring: spit-flecked rants that are appended to a product that at least tries for a measure of objectivity and dignity. It’s as though when you order a sirloin steak, it comes with a side of maggots.

It’s like everything but the kitchen sink
Steve Buttry’s Academics measure new media (again) by old-media yardstick

To measure what citizen journalism is doing in the Washington area, you need to study dozens, if not hundreds, of sites and blogs. Especially if you’re studying whether citizens could “replace” old media, you need to look at the full citizen effort. The cliché of bad comparisons is that you’re comparing apples to oranges. This is more like comparing an apple to a grape. A grape will never replace an apple. But a bunch of grapes might provide similar or more nutrition, even if one makes a better pie and the other better wine. These researchers didn’t study the full bunch of grapes that exists in every metro area.

These studies miss the point as badly as if you were to study whether NASCAR will replace horse racing. One kind or racing is declining and another is rising, but no one is replacing anyone here. The media revolution we are experiencing and witnessing isn’t like trying to replace an old quarterback by sending in a younger one (a story most traditional media would give more coverage than your average watchdog story).

Admission: On rereading, I notice that I have gone on a metaphor spree here: auto and horse racing, quarterbacks, fruit, watchdogs, a yardstick. Each of them makes the point I wanted to make, though, and I decided to poke fun at this weakness in my writing because I don’t have time to fix it today. I’ll just point you to the news-business metaphor collection Nick Bergus is compiling (at my suggestion, ironically enough). It’s so much easier to recognize my weaknesses in the writing of others.

If the kids just understood how the world used to work, life would be better

Earlier this month, the Corridor Business Journal reported that Iowa City was all but video store-less. Mr. Movies and others have closed, and That’s Rentertainment, a local independent shop, was soon to follow suit, leaving us with a just single Blockbuster. This is gets back to the news business, just stick with me.

That’s Rentertainment has clearly seen better days. When I was a kid — when you had to physically schlep to a store if you didn’t want to settle for the TV edit of National Lampoon’s Vacation — That’s Rentertainment had at least three locations and seemed to be doing well. Now, it has receded into a $250-a-month piece of the Hall Mall, an off-the-beaten-track home to tattoo parlors and head shops. (The Hall Mall has gone downhill since my childhood, too).

Netflix, Redbox, iTunes, Hulu and other online-stream services have got to be just killing That’s Rentertainment’s business. It’s more convenient to have movies show up in the mail and to browse the selection online. And cheaper two; That’s Rentertainment charges $4 to rent a new release for two days, $3 to rent anything else for three days. I pay Netflix $9 to have a single DVD out at a time and all the streaming I can handle through my laptop, wifi-enabled Blu-Ray player or my Nintendo Wii, and nothing to watch movies and television shows on Hulu.

The recent change of location probably didn’t help business since it’s now more inconveniently located for most movie-renters, but, here’s the interesting part: instead of saying “yeah, there’s just no way I can compete with that infrastructure and convenience,” the CBJ quotes That’s Rentertainment’s owner saying:

I’ve really noticed a generational shift during the past few years with incoming University of Iowa freshmen and sophomores, who grew up watching things on the Internet, where everything’s free, right? … It’s not just educating them about your new location, it’s educating them about the video industry.

Yes, blame the customer for being ignorant of what your older model has to offer. See, if the kids who grew up with free Internet stuff were educated in the ways of the video industry, they’d understand why they should pay more for less convenience. It strikes me as similar to the bitter old-school print guy’s lament about how the Internet is devaluing the core product by letting jerks take this stuff for free. But why adapt when you can complain that the young ’uns are ign’ant, and go out of business?

Metaphors: The band on the Titanic

Playing while sinking
Jason Whitlock’s “Whitlock on the Newspaper Industry: Letting ‘Myth’ Albom Preach Was the Equivalent of the ‘band playing while the Titantic took on water‘” on The Big Lead

APSE and its myth-building contest bait newspaper leadership to stay stagnate. Presenting Albom an award and giving him a platform to preach was the equivalent of the band playing while the Titantic took on water.

News Metaphors: The moon, KFC and the church

The pull of the moon
Carmen K. Sisson’s Lost and found in Biloxi

That might have been the end of my career, but journalism is the moon to my tide, the lure I can’t quite break.

KFC and RCA and YMCA and others
In reference to National Public Radio changing its name to NPR
Chris Amico on Twitter

NPR is KFCing itself

Slate on Twitter

NPR is the new KFC

Nieman Journalism Lab on Twitter

NPR goes SAT, AARP

Ken Doctor in Weigel and Nasr “Sins” Put the Church of High Integrity on Trial

Now, each Sunday, it seems, there fewer congregants in the church. There’s a strange information promiscuity sweeping the land. In fact, down the street, revivalists – in the case of the Post, TBD.com – are setting up tents from coast to coast to draw some of those who have left the mainstream news faith.

The High Church of Integrity is challenged. Its doctrines and dogma are being challenged by those who believe a more contemporary set of principles and practices can replace the received wisdom. Let’s call it the new approach a Society of Friends, with tips both to the Quaker collaborative style and to the Facebook era.

Metaphors: A wooing youngster, non-paying jerks, bike nerds

A young man a courtin’
Chuck Peters, quoted in John Kenyon in the Corridor Business Journal

Chuck Peters uses the analogy of a young man seeking the affections of an attractive woman when discussing the rather radical changes his media company is undergoing.

“It’s like saying, ‘I like that girl over there, I’ll just watch how somebody makes an approach and then will do it myself,’” he said. “But then, the relationship is gone.”

In this case, the tentative suitor is a typical media company, while the comely lass is the ever-eroding audience. Many in media, newspapers in particular, are waiting for someone else to come up with the model that will recover readers and viewers who have been fleeing in droves over the past decade.

Mr. Peters instead wants to be that bold young man who wins the maiden’s hand. The announcement last week that his company was rebranding itself from Gazette Communications to SourceMedia Group Inc. is the most public indication of an evolutionary process under way for a few years.

Non-paying jerks
Bill Cotterell in the Tallahassee Democrat‘s “There’s no more free ride for our online-only readers” (Now behind a paywall, free Google cache version here)

Just as an experiment, the next time you want to get to the mall, go to a car dealership and ask for a lift. When the salesperson asks if you mean a test drive, just say, “Oh, no, I don’t want a car, I just want a ride.”

Then go to a deli and ask what’s on the free lunch menu. Thinking you’re broke, someone might offer to buy you a sandwich, so you say, “Thanks, but I have money — I just choose not to pay.”

At the mall, go from store to store and don’t buy anything, just criticize the merchandise. Tell customers how ugly that tie is, what a lousy stereo they’re considering, how stupid they must be if they want that book. When shopkeepers tell you to leave their private property or be civil, yammer about “censorship.”

We don’t need such an experiment, because we know the results. But here at the Tallahassee Democrat, we’ve been competing with our own free alternative product for about 13 years — and we’ll soon find out what happens when you start charging for what you’ve given away.

and

President and Publisher Patrick Dorsey and Executive Editor Bob Gabordi on Wednesday wrote a front-page column, announcing our new “pay wall” content policy. Of the hundreds of comments that poured in, very few wished us well, but not all the critics were unhappy. Many were delighted to predict the end of the paper.

I have no way of knowing those commenters’ names and, if I did, I wouldn’t care enough to go over to circulation and see which, if any, are subscribers. But the greatest glee appeared to come from people who hate the Democrat, read it only online and regret that, come next Thursday, they won’t have us to kick around anymore.

We’ll miss them like Sears misses shoplifters.

and

Steve Hyatt, a Gannett executive from Reno who explained the new format to Democrat employees this week, used an interesting example. He said railroads started about 100 years before commercial aviation, but no airline today bears the name of a rail corporation.

That’s because the train tycoons thought they were in the railroad business, rather than the transit business. Well, we’re in the communication business. What worked when Gov. Napoleon Broward took office in 1905, the year the Democrat began publishing, doesn’t work now.

In his railroad analogy, Hyatt mentioned that the only trains you see now are freight lines or Amtrak passenger routes, heavily subsidized by the taxpayers. There won’t be any government bailout to keep print journalism going — as there certainly shouldn’t be — so our revenue model has to be either “all aboard” or “stop the presses.”

Elitist bike nerds
Scott Leadingham’s Why journalism should and should not copy bicycling culture

I’d become a hardcore bicyclist if it weren’t for hardcore bicyclists. In fact, I remarked to a friend recently that “the worst part about biking culture is biking culture.”

Forgive the gross generalization, but it’s been my experience that bicycling breeds an upper-crust crowd comparable to the snottiest fox-hunting, caviar-eating, polo-playing societal elitists out there. Go into any bicycle shop (not big box retailer) and ask about the lubrication benefits of using WD-40 on your chain.

“Eh. That’s a cleaner, not a lubricant. Don’t EVER use it to lube a chain!” is a likely response. “Here’s our selection of specialized lubricants – $10 per three oz. bottle.”

This notion of superiority, the kind coming from people on bikes that cost more than my car, keeps me away from becoming fully immersed and involved in biking culture.

Transfer that to journalism.

It’s not a new sentiment to say there’s a certain amount of arrogance in the profession. One doesn’t lead to the other, of course, but perhaps it’s more apparent in an industry that sees its practitioners’ names, faces and voices constantly before the public. As Linda Thomas aptly noted in a recent Quill piece on journalists to follow: “ … having the title of journalist doesn’t make you more interesting or important than anyone else.”

Metaphor: Bambi

A widdle deer
Vicki Boykis, in an interview with Anna Tarkov

Q: What is your top complaint about the news media?

My general complaints are that the print/tv news media treats the Internet as some disgusting thing under a microscope that it has to handle with kid gloves all while not knowing anything about it (see any mainstream report on Twitter, tumblr, etc, which are always way behind the curve). It’s painful, like watching a baby deer trying to walk for the first time.